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Pange, Lingua Gloriosi

By Thomas Aquinas ; para. Hymnal Library (1263)

Lyrics

1. Pange, lingua, gloriosi
Corporis mysterium
Sanguinisque pretiosi,
Quem in mundi pretium
Fructus ventris generosi
Rex effudit gentium.
------------
Sing, my tongue, the mystery glorious
Of the body of our Lord,
And the precious blood so holy,
Which, to ransom all the world,
From a noble Virgin's body,
Christ the King of nations poured.
2. Nobis datus, nobis natus
Ex intacta Virgine,
Et in mundo conversatus,
Sparso verbi semine,
Sui moras incolatus
Miro clausit ordine.
-------------
Given for us, born among us,
Of a Virgin undefiled,
He lived here among His people,
Sowing forth His Word divine;
Then His earthly life He ended,
By a wondrous, ordered design.
3. In supremae nocte coenae,
Recumbens cum fratribus,
Observata lege plene
Cibis in legalibus,
Cibum turbae duodenae
Se dat suis manibus.
------------
On the night of His last supper,
Seated with His brethren there,
Having kept the law's requirements,
And partaken of its fare,
To the twelve He gave Himself,
With His own hands, as their share.
4. Verbum caro, panem verum
Verbo carnem efficit:
Fitque sanguis Christi merum,
Et si sensus deficit,
Ad firmandum cor sincerum
Sola fides sufficit.
-----------
By His Word, the Word made flesh now
Makes the true bread flesh indeed;
And the wine becomes Christ's blood,
Though our senses fail to see.
Faith alone suffices fully
For the heart in sincerity.
5. Tantum ergo Sacramentum
Veneremur cernui:
Et antiquum documentum
Novo cedat ritui;
Praestet fides supplementum
Sensuum defectui.
-----------
So this great and holy Sacrament
Let us worship, bending low;
Let the ancient rites now yield
To the new that Christ bestows.
Let our faith supply the weakness
Of the senses that fall short.
6. Genitori, Genitoque
Laus et jubilatio,
Salus, honor, virtus quoque
Sit et benedictio:
Procedenti ab utroque
Compar sit laudatio
-----------
To the Father and the Son be
Praise and joyful jubilation;
Honor, glory, power, and blessing,
Health and strength and adoration.
To the Spirit, from them proceeding,
Equal praise be ever given.
Start planning with this hymn

Matthew 26:17-30; Mark 14:12-26; Luke 22:14-20; John 6:44-58; 1 Corinthians 10:16; 1 Corinthians 11:23-26

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Hymn scripture: Matthew 26:17-30; Mark 14:12-26; Luke 22:14-20; John 6:44-58; 1 Corinthians 10:16; 1 Corinthians 11:23-26

About This Hymn

Note: This is a sense-based English translation of the Latin text from the lyrics, rather than a reproduction of a particular published translation. In stanza 4, “merum” refers to wine, and the stanza expresses the hymn's traditional Eucharistic teaching.

Pange, lingua, gloriosi, Corporis mysterium, is the opening line of a celebrated Latin hymn attributed to Thomas Aquinas, the medieval theologian and philosopher. The hymn is associated with the Feast of Corpus Christi, a Christian observance focused on the body and blood of Jesus Christ in the Eucharist. It is among the best-known Latin hymns of the medieval Church and combines devotional poetry with a carefully developed account of Christ's incarnation, sacrifice, institution of the Lord's Supper, and the mystery of the sacrament. The hymn is also known through its concluding stanzas, particularly Tantum ergo Sacramentum, which has frequently been used as a separate hymn during Eucharistic adoration and Benediction.

The opening stanza calls the Church to proclaim the mystery of Christ's body and precious blood, given for the redemption of the world. It directs attention to Jesus Christ as the King who offers Himself for humanity. The second stanza reflects on the incarnation, celebrating the coming of the Son of God through the Virgin Mary and His earthly ministry. The third stanza turns to the night of the Last Supper, when Christ gathered with His disciples and gave Himself to them. These stanzas connect the incarnation and earthly ministry of Jesus with the institution of the Eucharist.

The fourth stanza expresses the hymn's central sacramental teaching. It declares that Christ's word accomplishes what human senses cannot fully comprehend and that faith is sufficient to strengthen the sincere heart when understanding reaches its limits. The fifth stanza calls worshippers to bow in reverence before the sacrament, allowing faith to guide them beyond the limitations of sight and other senses. The final stanza offers praise to the Father, the Son, and the Holy Spirit, bringing the hymn to a Trinitarian conclusion.

The hymn is traditionally associated with the Corpus Christi liturgy prepared in the thirteenth century under Pope Urban IV. Its text has appeared in numerous hymnals and liturgical collections, both in Latin and in translation. Edward Caswall's English translation, “Sing, My Tongue, the Savior's Glory,” is one of the familiar English versions. The original Latin text is commonly sung to a traditional Gregorian chant melody known as PANGE LINGUA GLORIOSI. The hymn remains significant in Christian worship because of its themes of Christ's incarnation, self-giving sacrifice, the Lord's Supper, faith, reverence, and praise to the Triune God.

From the Dictionary of Hymnology

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Detailed history of St. Thomas Aquinas's famous Eucharistic hymn "Adoro Te devote," tracing its origins, liturgical use, manuscript traditions, and numerous English translations.

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Adversa mundi tolera History

Hymnological profile of Thomas à Kempis's "Adversa mundi tolera," a Latin hymn on Christian patience printed in his 1494 Opera.

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