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Come Hither, Ye Faithful

By John Francis Wade ; tr. Edward Caswall (1840)

Lyrics

1. Oh, come all ye faithful, triumphantly sing:
Come, see in the manger our Savior and King!
To Bethlehem hasten with joyful accord:
Oh, come, let us adore Him,
Oh, come, let us adore Him,
Oh, come, let us adore Him,
Christ the Lord!
2. True Son of the Father, He comes from the skies;
To be born of a virgin He doth not despise;
To Bethlehem hasten, with joyful accord;
Oh, come, let us adore Him,
Oh, come, let us adore Him,
Oh, come, let us adore Him,
Christ the Lord!
3. Hark, hark to the angels all singing in heaven,
"To God in the Highest all glory be given!"
To Bethlehem hasten, with joyful accord;
Oh, come, let us adore Him,
Oh, come, let us adore Him,
Oh, come, let us adore Him,
Christ the Lord!
4. To Thee, then, O Jesus, this day of Thy birth,
Be glory and honor through heaven and earth.
True Godhead incarnate, omnipotent Word!
Oh, come, let us adore Him,
Oh, come, let us adore Him,
Oh, come, let us adore Him,
Christ the Lord!
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Luke 2:8-16; John 1:1-14; Philippians 2:6-11; Colossians 1:15-20

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Hymn scripture: Luke 2:8-16; John 1:1-14; Philippians 2:6-11; Colossians 1:15-20

About This Hymn

“Come Hither, Ye Faithful” is an English translation of the traditional Latin Christmas hymn Adeste fideles, associated with John Francis Wade. The English translation was made by Edward Caswall in 1840. The hymn summons the faithful to gather with joy and hasten to Bethlehem, where the newborn Saviour and King is worthy of their worship. Its recurring invitation to adore Christ gives the hymn its central theme and makes it especially suitable for Christmas worship and celebrations of the incarnation.

The text presents the birth of Jesus as more than an ordinary event in human history. Christ is confessed as the Son of the Father, born of a virgin and worthy of glory throughout heaven and earth. The stanza referring to the angels recalls the heavenly proclamation of God's glory at the birth of Jesus, while the final stanza emphasizes the mystery of the Word made flesh. The hymn therefore brings together the humility of Christ's birth and the majesty of His divine identity. The manger is not merely a scene of tenderness, but the place where Christians behold and worship their incarnate Lord.

The biblical foundation is particularly clear in Luke 2:15-16, where the shepherds respond to the angelic announcement by going to Bethlehem to see the child. The hymn also reflects John 1:14, which declares, “And the Word was made flesh, and dwelt among us.” Its emphasis on Christ's divine identity connects with Philippians 2:6-11, which describes Christ's humiliation and subsequent exaltation. These passages help explain why the hymn calls worshippers not simply to remember the nativity, but to respond with faith, reverence, gratitude, and adoration.

The tune ADESTE FIDELES is closely associated with the hymn and is widely used for Christmas congregational singing. Historical sources associate Wade with both the Latin text and the musical tradition surrounding it, although the hymn's development includes variations and additions by later writers. Caswall's English translation is distinct from other well-known English versions of Adeste fideles, including Frederick Oakeley's translation that begins “O Come, All Ye Faithful, Joyful and Triumphant.” The wording and number of stanzas can vary between hymnals. This hymn is appropriate for Christmas Eve, Christmas Day, Nativity services, and any gathering centered on the worship of Jesus Christ as Lord.

From the Dictionary of Hymnology

Related terms and concepts automatically matched to this hymn.

Adeste fideles laeti triumphantes History

Comprehensive entry for the celebrated Christmas hymn "Adeste fideles," tracing its origin, Latin textual traditions, French and English centos, and numerous English translations.

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Aeterna coeli gloria History

Hymnological profile of the fifth-century Friday Lauds hymn "Aeterna coeli gloria," detailing its manuscript sources, acrostic structure, and English translations.

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Adoro Te devote, latens Deitas History

Detailed history of St. Thomas Aquinas's famous Eucharistic hymn "Adoro Te devote," tracing its origins, liturgical use, manuscript traditions, and numerous English translations.

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