There'll Be No Sorrow There

Lewis Hartsough (1823–1919)

Lewis Hartsough was an American Methodist minister, gospel songwriter, composer, and music editor whose revival hymns became widely used in nineteenth-century evangelical meetings. He is especially remembered for the invitation hymn “I Hear Thy Welcome Voice,” a song that gained international popularity through revival campaigns in America and England.

He was born on August 31, 1823, in Ithaca. Though little is known about his early life, he entered the ministry of the Methodist Episcopal Church in 1851 and served a number of pastorates in New York State.

During his ministry, poor health led him westward to Utah, where he became influential in establishing the Utah Mission and later served as its superintendent. Afterward, he moved to Mount Vernon, where he spent the remainder of his life.

Hartsough was deeply involved in gospel music and hymn publishing. He served as musical editor of:

• The Revivalist

• The Sacred Harmonist

• Beulah Songs

His work in The Revivalist was especially influential. The collection became one of the most widely used gospel hymn books of the 1870s, going through numerous editions and spreading revival music throughout churches and evangelistic meetings.

Hymns and gospel songs

Lewis Hartsough wrote both hymn texts and tunes. Among his best-known hymns are:

• “I Hear Thy Welcome Voice”

• “In the Rifted Rock I’m Resting”

• “Lead Me to the Rock That’s Higher”

• “O Who’ll Stand Up for Jesus?”

• “Let Me Go Where Saints Are Going”

His most enduring hymn, “I Hear Thy Welcome Voice,” was written in 1872. The hymn presents Christ’s gracious invitation to sinners and believers alike, emphasizing cleansing through the blood of Jesus and assurance of salvation.

The evangelist Ira D. Sankey helped popularize the hymn after discovering it in Guide to Holiness magazine while in England. Sankey later wrote that it became one of the most useful invitation hymns during revival meetings in both England and America.

Hartsough’s hymn writing reflected themes common in revival-era gospel music:

• Salvation through Christ

• Invitation to faith

• Assurance and rest in Jesus

• Heaven and eternal hope

• Evangelistic appeal

His music also retained elements of early American camp meeting and folk hymn traditions, contributing to the warm and accessible character of his songs.

Lewis Hartsough died on January 1, 1919.

Though many of his songs faded from common use, “I Hear Thy Welcome Voice” remains his lasting contribution to Christian hymnody, continuing to express the gospel invitation with simplicity and warmth.