Tell It Again To Me

Mary Bridges Canedy Slade (M. B. C. Slade) was a prominent 19th-century educator, editor, and hymn writer whose life was defined by a deep commitment to social justice and the intellectual development of children. Born in 1826 in Fall River, Massachusetts, she remained a lifelong resident of her hometown, where she became a cornerstone of the community. Well-educated and multi-talented, she balanced several significant roles: she was a teacher, the wife of a minister, and a prolific poet. Her professional influence extended throughout the Northeast as the assistant editor of the New England Journal of Education, and she later founded and edited the popular children’s magazine Wide Awake.

Slade’s contribution to hymnody was primarily focused on the spiritual education of youth. She authored a vast amount of Sunday School material and training manuals for teachers, utilizing her pedagogical background to create texts that were both accessible and doctrinally sound. Her most famous and enduring hymn is the invitational classic "Tell It to Jesus Alone" (often titled "Are You Weary?"). Written in 1876 and set to music by the renowned composer R. M. McIntosh, the hymn is celebrated for its empathetic tone and its encouragement of personal, private prayer during times of sorrow and fatigue.

Beyond her literary and musical output, Slade was a woman of radical action. She and her husband were active participants in the Underground Railroad, risking their safety and social standing to help enslaved people escape to freedom. This commitment to human dignity and liberty informed much of her work, providing an undercurrent of moral weight to her educational and religious writings. She was also known for her "Service of Song" programs, which integrated music and scripture to engage Sunday School students in more dynamic ways.

Mary B. C. Slade died in 1882 at the age of fifty-six. Despite her relatively short life, her legacy lived on through her educational methodologies and her hymns, which continued to appear in gospel collections edited by figures like Ira D. Sankey. She is remembered as a pioneering professional woman who used her platform to advocate for the marginalized and to provide the church with a gentle, comforting voice in its music. Her life serves as a bridge between the rigorous academic standards of the New England educational system and the heartfelt piety of the American gospel tradition.