No Blood, No Altar Now
By Horatius Bonar (1857)
Lyrics
The sacrifice is o'er!
No flame, no smoke ascends on high,
The lamb is slain no more,
But richer blood has flow'd from nobler veins,
To purge the soul from guilt, and cleanse the reddest stains.
The blood of Christ, Thy Son:
The blood by which our peace is made,
Our victory is won:
Great victory o'er hell, and sin, and woe,
That needs no second fight, and leaves no second foe.
Descending from above,
That overflows out widest guilt,
Th'eternal Father's love.
Love of the Father's everlasting Son,
Love of the Holy Ghost, Jehovah, Three in One.
So glad, and sure, and clear;
It holds the drooping spirit up
Till the long dawn appear;
Fair hope! with what a sunshine does it cheer
Our roughest path on earth, our dreariest desert here.
Of glory and of life;
'Tis no poor with'ring wreath of earth,
Man's prize in mortal strife;
'Tis incorruptible as is the throne,
The kingdom of our God and His incarnate Son.
Bible Reference
Hebrews 10:10–14
Lectionary & readings
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Hymn scripture: Hebrews 10:10–14
About This Hymn
“No Blood, No Altar Now” by Horatius Bonar is a profound hymn that reflects on the finality and sufficiency of Christ’s sacrifice for sin. Written around 1857, it captures the essence of New Testament theology, contrasting the Old Covenant system of continual sacrifices with the once-for-all offering of Jesus Christ on the cross. Bonar, a Scottish minister known for his deep reverence for Scripture and rich devotional poetry, uses the hymn to declare the end of the ceremonial altar and the triumph of Calvary’s redemption.
The opening line, “No blood, no altar now,” sets the tone of completed atonement. The old sacrifices have ceased, for the true Lamb of God has come. In Christ’s death, the symbols and shadows of the Law have found their fulfillment. The hymn reminds believers that no further offering for sin is required because “by one offering He hath perfected forever them that are sanctified” (Hebrews 10:14).
Throughout the verses, Bonar contrasts the outward forms of temple worship with the inward reality of faith in the crucified Savior. The altar is replaced by the cross, the priesthood by Christ Himself, and the repeated sacrifices by His single, perfect act of obedience unto death. The hymn expresses wonder at the mercy and completeness of redemption, showing how the blood of Christ has accomplished what no human work or ritual could ever achieve.
The tone of the hymn is meditative and reverent, leading the worshiper to contemplate the holiness of God and the sufficiency of the Savior. Bonar’s words gently invite the heart to rest in finished grace, to cease striving for acceptance, and to rejoice in the eternal reconciliation made through the cross.
In the broader context of Christian hymnody, “No Blood, No Altar Now” stands as one of Bonar’s most theologically mature works. It captures both the solemnity of sin’s cost and the joy of salvation freely given. Its message remains timeless: the believer’s hope and peace rest not in human effort or religious ceremony, but solely in the perfect, completed sacrifice of Jesus Christ, the Lamb of God who takes away the sin of the world.
From the Dictionary of Hymnology
Related terms and concepts automatically matched to this hymn.
All that I was, my sin, my guilt Hymn
A hymn by Horatius Bonar on pardon through grace, based on 1 Corinthians xv. 10. It first appeared in his Bible Hymn Book, 1845, and later as “Mine and Thine.”
Read moreCling to the Crucified Hymn
Horatius Bonar’s short hymn on abiding in Christ (1 John 2:28), from his Bible Hymn Book (1845). Some books alter the opening to “Abide in Him, abide.”
Read moreCome, and hear the grand old story Hymn
Opening line of nine lines that introduce Horatius Bonar’s longer hymn “Christ the Father’s Son Eternal” in Hymns of Faith and Hope, second series (1861); abbreviated in later books.
Read moreStaff Visualizer
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Hymns with the same subject
More hymns about Atonement, Battle, Blood of Christ, Good Friday, Holy Spirit, Incarnation, Trinity
- Victory in Jesus - (I Heard an Old, Old Story) - E. M. Bartlett
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