How Sweet and Aweful Is the Place
By Isaac Watts (1707)
Lyrics
with Christ within the doors,
while everlasting love displays
the choicest of her stores.
join to admire the feast,
each of us cries, with thankful tongue,
"Lord, why was I a guest?
and enter while there's room,
when thousands make a wretched choice
and rather starve than come?"
that sweetly drew us in;
else we had still refused to taste,
and perished in our sin.
constrain the earth to come;
send Thy victorious Word abroad,
and bring the strangers home.
that all the chosen race
may, with one voice and heart and soul,
sing Thy redeeming grace.
Bible Reference
Genesis 28:16-17; Psalm 84:1-4; Matthew 18:20; Hebrews 10:24-25
Lectionary & readings
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Hymn scripture: Genesis 28:16-17; Psalm 84:1-4; Matthew 18:20; Hebrews 10:24-25
About This Hymn
How Sweet and Awful Is the Place is a congregational hymn written by Isaac Watts and first published in 1707 in Hymns and Spiritual Songs, Book II. The word “awful” in the hymn reflects its older meaning of awe-filled or reverent, rather than fear in a modern sense. Watts uses this language to express the deep reverence and wonder that accompany the gathered worship of God’s people.
The hymn is rooted in the biblical theme of God’s special presence among His gathered saints. Genesis 28:16-17 provides an important background, where Jacob awakens from his dream and declares, “Surely the Lord is in this place,” calling it the house of God and the gate of heaven. Watts applies this idea to Christian worship, emphasizing that when believers assemble in Christ’s name, they experience a unique awareness of God’s nearness.
Psalm 84 strongly influences the hymn’s tone and theology. Watts reflects the psalmist’s longing for the courts of the Lord and the blessedness of those who dwell in God’s house. The sweetness of the place comes not from architecture or ceremony but from the presence of God Himself and the fellowship of redeemed people worshiping together in unity and faith.
A central theological theme of the hymn is Christ’s mediating presence. Watts alludes to Matthew 18:20, affirming that where believers gather in Christ’s name, He is truly present among them. This presence brings both comfort and holy reverence. Worship is therefore portrayed as both joyful and solemn, combining gladness with humility before a holy God.
The hymn also underscores the importance of corporate worship and mutual edification. Hebrews 10:24-25 is reflected in Watts’s emphasis on believers meeting together to encourage one another in faith and love. The gathering of the church becomes a foretaste of heaven, where redeemed sinners join in unified praise before God’s throne.
How Sweet and Awful Is the Place remains a powerful hymn on the theology of worship and the gathered church. It teaches believers to treasure public worship, to approach God with reverent joy, and to recognize the gracious privilege of meeting with Him among His people.
From the Dictionary of Hymnology
Related terms and concepts automatically matched to this hymn.
All ye that [who] love the Lord, rejoice Hymn
Isaac Watts’s paraphrase of Psalm cxlix., from his Psalms of David, 1719, titled “Praise God, all His saints; or, The Saints judging the World.” Most collections omit its final stanzas.
Read moreCome, let us join our cheerful songs Hymn
One of Watts’s best-known hymns (1707/1709) on Revelation 5 usually appears in four stanzas omitting “Let all that dwell above the sky”; Bingham supplies a Latin version.
Read moreCome, we that love the Lord Hymn
Isaac Watts’s “Heavenly Joy on Earth” (1707/1709), ten stanzas. Wesley’s Charlestown form (1736–7) and Cotterill’s “Come ye who love the Lord” (1819) head the many altered texts in later books.
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- Salvation Has Been Brought Down - Albert E. Brumley
- How Deep the Father's Love for Us - Stuart Townend
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- The Love of God - Frederick M. Lehman
- When I Survey the Wondrous Cross - Isaac Watts
- The Comforter Has Come - Francis Bottome
- When I See the Blood - E. A. Hoffman
- There's A Wideness In God's Mercy - Frederick William Faber
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