Day of Wrath! O Day of Mourning!
By Thomas of Celano (1842)
Lyrics
See fulfilled the prophet's warning:
Heav'n and earth in ashes burning.
Wondrous sound the trumpet flingeth,
Through earth's sepulchers it ringeth,
All before the throne it bringeth.
O what fear man's bosom rendeth
When from heav'n the Judge descendeth
On whose sentence all dependeth.
All creation is awaking,
To its Judge an answer making.
Lo, the book, exactly worded,
Wherein all hath been recorded;
Thence shall judgment be awarded.
When the Judge His seat attaineth,
And each hidden deed arraigneth,
Nothing unavenged remaineth.
Who for me be interceding
When the just are mercy needing?
King of Majesty tremendous,
Who dost free salvation send us,
Fount of pity, then befriend us!
Righteous Judge, for sin's pollution
Grant Thy gift of absolution
Ere the Day of Retribution.
On the cross of suff'ring bought me;
Shall such grace be vainly brought me?
Think, good Jesus, my salvation
Caused Thy wondrous incarnation;
Leave me not to sin's damnation!
Guilty now I pour my moaning,
All my shame with anguish owning:
Hear, O Christ, Thy servant's groaning!
Strewn with ashes of contrition;
Help me in my last condition!
Worthless are my prayers and sighing;
Yet, Good Lord, in grace complying,
Rescue me from fires undying.
Thou the sinful woman savedst;
Thou the dying thief forgavest;
Thus to me true hope vouchsafest!
Nor among the goats abase me,
But to Thy right hand upraise me.
While the wicked are confounded,
Doomed to flames of woe unbounded,
Call me, with Thy saints surrounded.
To the rest Thou didst prepare me
On Thy cross; O Christ, upbear me!
Spare, O God, in mercy spare me.
Bible Reference
Zephaniah 1:14-16; Matthew 25:31-46; 2 Peter 3:10-13; Revelation 6:15-17; Revelation 20:11-15
Lectionary & readings
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Hymn scripture: Zephaniah 1:14-16; Matthew 25:31-46; 2 Peter 3:10-13; Revelation 6:15-17; Revelation 20:11-15
About This Hymn
“Day of Wrath! O Day of Mourning!” is an English hymn based on the medieval Latin sequence Dies irae, a solemn meditation on the coming judgment of God. The Latin text is traditionally attributed to Thomas of Celano, a thirteenth-century Franciscan writer, although the attribution is not universally certain. The English translation was made by William Josiah Irons, an Anglican clergyman and theologian. Hymnary records Irons's translation as dating from 1848. The hymn has appeared in numerous hymnals and has been associated with the Christian observance of judgment, Advent, and the remembrance of death.
The central theme is the final judgment, when all humanity must stand before the righteous Judge. The text draws on biblical descriptions of the day of the Lord, particularly Zephaniah 1:14-16, which portrays that day as one of wrath, distress, and devastation. Matthew 25:31-46 describes the Son of man coming in glory to judge the nations. Revelation 20:11-15 presents the great white throne and the opening of the books according to which the dead are judged. Together, these passages emphasize the holiness of God and the seriousness of human accountability before Him.
Although the hymn begins with an atmosphere of terror and mourning, it does not end with despair. Its traditional English form turns toward a plea for divine mercy. The worshipper recognizes personal sinfulness and the inability to stand confidently before God's perfect justice on the strength of personal merit. The hymn therefore directs attention to Jesus Christ, whose incarnation, suffering, and saving work provide the foundation of Christian hope. Its prayer for mercy reflects the biblical truth that salvation comes through God's grace rather than human righteousness.
The hymn also calls for repentance and spiritual seriousness. The prospect of judgment reminds believers that earthly life is temporary and that outward appearances cannot conceal the heart from God. At the same time, Christians need not face the future without hope. Those who trust in Christ look forward to His return and the fulfilment of His promises. The hymn holds together two essential biblical truths: God judges sin righteously, and He offers mercy and salvation through Jesus Christ.
The traditional plainsong melody associated with Dies irae gives the hymn a solemn character suited to its subject. Other musical settings include one by John Bacchus Dykes. The text is commonly catalogued in 8.8.8 meter, though complete versions and musical arrangements may treat its longer sequence differently. Its enduring value lies in its call to humility, repentance, and dependence on the mercy of God in view of the final judgment.
From the Dictionary of Hymnology
Related terms and concepts automatically matched to this hymn.
Apparebit repentina dies magna Domini Latin Hymn
An anonymous Advent hymn of the 7th century, an acrostic first mentioned in Bede’s De Metris. Neale called it a “rugged, but grand Judgment Hymn” containing the germ of the Dies Irae.
Read moreDies est laetitiae, In ortu regali Latin Hymn
Medieval Christmas carol praised by Luther; Neale’s “Royal day that chasest gloom” and German “Der Tag der ist so freudenreich” are the main English paths. The same entry treats the great Sequence Dies irae.
Read moreDrummond, William, of Hawthornden; Drummond, William Hamilton Biography
William Drummond of Hawthornden (1585–1649), poet and early translator of Breviary hymns. Orby Shipley’s challenge to that ascription is weighed and rejected. The notes then open William Hamilton Drummond, D.D.
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