From Depths of Woe I Raise to Thee
By Martin Luther (1524)
Lyrics
The voice of lamentation;
LORD, turn a gracious ear to me,
And hear my supplication.
If Thou should be extreme to mark
each secret sin and misdeed dark,
O who could stand before Thee?
O who could stand before Thee?
grace, grace alone availeth;
Our works, alas! are all in vain;
in much the best life faileth.
No man can glory in Thy sight,
all must alike confess Thy might,
And live alone by mercy.
And live alone by mercy.
and not in mine own merit;
On Him my soul shall rest, His Word
upholds my fainting spirit.
His promised mercy is my fort,
my comfort and my sweet support;
I wait for it with patience.
I wait for it with patience.
and til the dawn appeareth.
My heart still trusteth in His might;
it doubteth not, nor feareth;
So let the Israelite in heart,
born of the Spirit, do his part,
And wait til God appeareth.
And wait til God appeareth.
God's mercies far exceed it;
His hand can give the help we need,
however much we need it.
He is the Shepherd of the sheep
who Israel doth guard and keep,
And shall from sin redeem him.
And shall from sin redeem him.
Bible Reference
Psalm 130:1-8
Lectionary & readings
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Hymn scripture: Psalm 130:1-8
About This Hymn
“From Depths of Woe I Raise to Thee” is a metrical paraphrase of Psalm 130, written by Martin Luther in 1524 during the early years of the Reformation. The hymn stands as one of Luther’s most profound expressions of repentance and trust in divine mercy. Rooted deeply in Scripture, it follows the movement of the psalm from anguish over sin to confident hope in the Lord’s redeeming grace.
The opening stanzas voice the cry of a sinner conscious of guilt and unable to stand before a holy God on the basis of personal righteousness. Luther emphasizes the seriousness of sin and the impossibility of justification by works. This reflects the Reformation doctrine of salvation by grace through faith. The hymn teaches that if God were to mark iniquities, none could stand, yet forgiveness is found with Him so that He may be feared and reverenced.
As the hymn progresses, the focus turns from despair to expectation. The believer waits upon the Lord, trusting not in personal merit but in the sure promises of His Word. The language encourages patient hope, grounded in God’s steadfast love and abundant redemption. The final stanzas proclaim that the Lord will redeem His people from all their iniquities, affirming the certainty and completeness of salvation.
The tune ALLEIN GOTT IN DER HÖH, attributed to Nicolaus Decius, carries a dignified and reverent character. Its strong melodic structure supports congregational singing and reflects the solemn tone of penitence and faith. Though originally associated with the German Gloria paraphrase, its pairing with this text in some traditions highlights the unity of confession and praise within Christian worship.
This hymn remains a cornerstone of Lutheran hymnody and a powerful declaration of biblical repentance and assurance. It continues to be sung especially during penitential seasons, calling believers to humble confession and confident trust in the Lord who redeems abundantly.
From the Dictionary of Hymnology
Related terms and concepts automatically matched to this hymn.
Ein' feste Burg ist unser Gott Hymn
Luther’s Psalm 46 battle-hymn, first published in Klug’s Gesangbuch (Wittenberg, 1529), not in 1521 or 1530 as popular stories claim. Carlyle’s and Thring’s English versions lead common use.
Read moreEin neues Lied wir heben an Hymn
Luther’s first hymn-like piece (1523), a narrative ballad on the Brussels martyrdom of Voes and Esch. Messenger’s paraphrase “Flung to the heedless winds” is the main English congregational form.
Read moreErhalt uns, Herr, bei deinem Wort / Erskine, Ralph / Es giengen trew frewlach Hymn
Luther’s 1541 children’s hymn against Pope and Turk; Ralph Erskine (1685–1752), Associate Church minister and Gospel Sonnets author; and a thirteenth-century Easter carol on the holy women at the sepulchre.
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- Alas! and Did My Savior Bleed - Isaac Watts
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- Beneath the Cross of Jesus - Elizabeth Cecilia Clephane
- Arise, My Soul, Arise - Charles Wesley
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