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Arise, My Soul, Arise

By Charles Wesley (1742)

Lyrics

1. Arise, my soul, arise,
Shake off thy guilty fears;
The bleeding sacrifice
In my behalf appears;
Before the throne my surety stands;
My name is written on his hands.
2. He ever lives above
For me to intercede;
His all-redeeming love
His precious blood to plead;
His blood atoned for all our race
And sprinkles now the throne of grace.
3. Five bleeding wounds he bears,
Received on Calvary;
They pour effectual prayers,
They strongly speak for me;
Forgive him, oh forgive, they cry,
Nor let that ransomed sinner die.
4. The Father hears him pray,
His dear Anointed One;
He cannot turn away
The presence of his Son;
His Spirit answers to the blood
And tells me I am born of God.
5. My God is reconciled,
His pard’ning voice I hear;
He owns me for his child;
I can no longer fear;
With confidence I now draw nigh,
And Father, Abba Father, cry!
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Romans 8:34

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Hymn scripture: Romans 8:34

About This Hymn

“Arise, My Soul, Arise” is one of Charles Wesley’s most powerful hymns, combining deep theological truth with emotional fervor. Written in 1742, this hymn speaks to the believer’s assurance of salvation through the ongoing intercessory work of Christ. Inspired particularly by Romans 8:34, Wesley presents a compelling picture of the risen Savior standing at God’s right hand, ever pleading on behalf of His redeemed.

The hymn opens with an exhortation to the soul to rise from guilt and fear, focusing instead on Christ’s work. The bold command, “Arise, my soul, arise,” reflects the awakening of faith as the believer is called to lay hold of the gospel’s truth. The next lines introduce the heart of the hymn’s doctrine: the Christian’s confidence is not in personal merit but in the wounds of Jesus, which plead for them before the throne of God. The repeated phrase, “He ever lives above, for me to intercede,” beautifully anchors the message in the Savior’s priestly ministry.

Each stanza adds to the sense of growing confidence and assurance. The wounds of Christ are described as “five bleeding wounds,” reminding the singer of His crucifixion and its enduring power. These wounds cry out, “Forgive him, O forgive,” reinforcing the idea that Christ's sacrifice secures eternal forgiveness. There is also a subtle but strong reference to the devil's accusations, which are rendered powerless in the face of Christ’s intercession.

The hymn moves toward a triumphant conclusion as the believer proclaims peace and reconciliation with God. Wesley affirms that the Christian can now approach the throne of grace with boldness, no longer held captive by fear. The final lines, “My God is reconciled, His pardoning voice I hear,” capture the intimate and personal joy of knowing that peace with God has been secured forever.

Musically, the hymn is commonly set to the tune “Lenox” by Lewis Edson, which matches the energetic and triumphant tone of the lyrics. The rhythm and melody lift the voice in joyful celebration, making it a popular hymn in revival settings as well as traditional worship.

“Arise, My Soul, Arise” stands as a rich declaration of gospel assurance. It teaches that believers are justified not by works but by the blood of Christ, who intercedes continually for them. Its powerful imagery and scriptural foundation make it a treasured hymn that continues to stir the hearts of worshipers with the good news of a living Savior who pleads for His own.

From the Dictionary of Hymnology

Related terms and concepts automatically matched to this hymn.

A fountain of Life and of Grace Hymn

Charles Wesley's two-stanza hymn on living water, based on Revelation 22:17 and first published in his Short Hymns of 1762. It is found in Methodist and other hymnals in Britain and America.

Read more

All glory and praise to Jesus our Lord Hymn

A Charles Wesley hymn on the gift of the Holy Spirit, 4 stanzas of 4 lines, published from the Wesley manuscripts in the Poetical Works, 1868–72. It appeared earlier in an American Methodist hymn book in 1849.

Read more

Almighty God of love Hymn

A cento by Charles Wesley from Nos. 1157–1159 of his Short Hymns, 1762, given in the Wesleyan Hymn Book, 1780, and used widely among Methodist bodies in Britain and America.

Read more
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