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Sing Praise to the Lord

By H. W. Baker (1875)

Lyrics

1. Sing praise to the Lord! Praise God in the height;
rejoice in his word, you angels of light;
O heavens, adore him by whom you were made,
and worship before him in brightness arrayed.
2. Sing praise to the Lord! Praise God upon earth,
in tuneful accord, all you of new birth;
praise him who has brought you his grace from above,
praise him who has taught you to sing of his love.
3. Sing praise to the Lord! All things that give sound,
each jubilant chord, re-echo around;
loud organs, his glory proclaim in deep tone,
and trumpets, the story of what he has done.
4. Sing praise to the Lord! Thanksgiving and song
to him be outpoured all ages along;
for love in creation, for heaven restored,
for grace of salvation, sing praise to the Lord!
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Psalm 103:1-5; Psalm 145:1-3; Psalm 150:1-6; Revelation 5:12-13

Scripture index

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Hymn scripture: Psalm 103:1-5; Psalm 145:1-3; Psalm 150:1-6; Revelation 5:12-13

About This Hymn

“Sing Praise to the Lord!” is a joyful hymn of thanksgiving and adoration that reflects the deep devotional spirit of nineteenth century Anglican hymnody. Written by Henry Williams Baker and first published in Hymns Ancient and Modern in 1861, the hymn calls God’s people to wholehearted praise for His goodness, faithfulness, and sustaining care. Baker, who played a central role in shaping English hymnody, consistently sought to unite strong biblical theology with clear and reverent language suitable for congregational worship.

The hymn draws heavily on the language and themes of the Psalms, especially the repeated biblical exhortation for the soul to bless the Lord. Praise is presented not as a mere emotion, but as a conscious act of obedience and gratitude flowing from remembrance of God’s works. The singer is urged to recall the Lord’s mercy, protection, and daily provision, echoing the psalmist’s pattern of rehearsing God’s benefits as a foundation for worship.

A notable strength of the hymn is its balance between personal devotion and corporate praise. While the language addresses the individual soul, it naturally leads into the gathered worship of the church, joining many voices in a shared confession of God’s greatness. This reflects Baker’s pastoral concern that hymn singing should form both personal piety and communal faith.

Theologically, the hymn centers on God as Creator, Sustainer, and Redeemer, directing all praise to Him alone. It avoids sentimentality by grounding worship in truth, reminding believers that praise arises from who God is and what He has done, rather than from changing circumstances.

“Sing Praise to the Lord!” continues to be valued as a simple yet rich hymn of doxology. Its clear biblical foundation and reverent tone make it suitable for a wide range of worship settings, encouraging believers in every generation to lift their voices in grateful praise to the Lord who is worthy of all honor and glory.

From the Dictionary of Hymnology

Related terms and concepts automatically matched to this hymn.

All hail, ye blessed band Hymn

A cento in The Service of Song for Baptist Churches, Boston, 1871, No. 815, built from several hands for use at the baptism of adults, with stanzas assigned to choir and congregation.

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Die parente temporum Latin Hymn

Sunday Nocturns hymn from the Le Mans Breviary (1748). Sir H. W. Baker’s “On this day, the first of days” (Hymns Ancient and Modern, 1861) was the first known English version.

Read more

Dignare me, O Jesu, rogo Te Latin Hymn

Latin prayer-hymn on security in Christ, printed in eighteenth-century Catholic collections. Baker’s “Jesu, grant me this, I pray” was written for Hymns Ancient and Modern (1861).

Read more
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