To the Name of Our Salvation
By J. M. Neale (1851)
Lyrics
laud and honour let us pay,
which for many a generation
hid in God's foreknowledge lay,
but with holy exultation
we may sing aloud to-day.
name beyond what words can tell;
name of gladness, name of pleasure,
ear and heart delighting well;
name of sweetness passing measure,
saving us from sin and hell.
speaks like music to the ear;
who in prayer this name beseecheth
sweetest comfort findeth near;
who its perfect wisdom reacheth
heavenly joy possesseth here.
over every other name;
in this name, whene'er assaulted,
we can put our foes to shame:
strength to them who else had halted,
eyes to blind, and feet to lame.
this most blessed name revere,
holy Jesu, thee imploring
so to write it in us here,
that hereafter heavenward soaring
we may sing with angels there.
Bible Reference
Acts 4:12; Philippians 2:9-11; Psalm 8:1; Colossians 3:17
Lectionary & readings
Open today’s (or any date’s) assigned scriptures and find related hymns across church calendars. Useful when planning worship around this song’s themes or its Bible reference.
Hymn scripture: Acts 4:12; Philippians 2:9-11; Psalm 8:1; Colossians 3:17
About This Hymn
“To the Name of Our Salvation” is an English hymn translated by John Mason Neale from an earlier Latin text traditionally titled Gloriosi Salvatoris found in fifteenth-century breviaries. Neale’s version was first published in Mediaeval Hymns (1851) and later appeared in Hymns Ancient and Modern (1861) and many subsequent hymnals. The original Latin hymn reflects devotion to the Holy Name of Jesus, and Neale’s translation preserves this focus with devotional poetry suitable for congregational praise.
The hymn exalts the name of Jesus as the focus of Christian worship, confession, and hope. The opening stanza invites worshipers to honor the Name that brings salvation, acknowledging that the redemptive work of Christ lay hidden in God’s plan through many generations before being revealed in history. This emphasis echoes the biblical testimony that salvation is found in no other name but that of Jesus, as declared in Acts 4:12.
Subsequent verses explore the richness of Christ’s Name. The Name is described as a source of gladness, strength, victory, comfort in prayer, and delight of heart. These themes correspond with the New Testament affirmation of the supremacy of Jesus’ Name, which Christian doctrine holds above every other name (Philippians 2:9-11).
The hymn also connects the believer’s present life of faith with the heavenly hope of future praise. Its final stanza expresses the desire that the Name of Christ be written on the believer’s heart, so that in eternity the worshiper may sing with the angels around God’s throne. This reflects the biblical vision of universal praise and eternal communion with God.
The hymn is often set to the tune Oriel, adapted from Caspar Ett’s Cantica Sacra (1840), though other tunes have also been used historically.
Taken together, this hymn celebrates both the historical work of Christ and the ongoing worship of His Name, making it appropriate for services emphasizing Christ’s lordship, the Holy Name, and the joy of salvation.
From the Dictionary of Hymnology
Related terms and concepts automatically matched to this hymn.
Almighty God, to-night Hymn
A child’s bedtime hymn by J. M. Neale, published in his Hymns for Children, 1842, in 5 stanzas of 4 lines, and used in the American Songs of Christian Praise, 1880.
Read moreA day, a day of glory Hymn
J. M. Neale wrote this Christmas carol specially for E. Sedding’s Antient Christmas Carols, 1860, where it is No. 6 in 4 stanzas of 8 lines. It was reprinted in 1867.
Read moreAuber, Harriet Biography
The text under this heading is a list of English translations in common use, not a biography of Harriet Auber. It names versions by J. M. Neale, the Hymns Ancient and Modern compilers, and F. Pott, and breaks off in the third.
Read moreStaff Visualizer
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