We Will Glorify the King of Kings

Twila Paris (born December 28, 1958) is an American singer, songwriter, pianist, and author who stands as one of the most structurally significant figures in the transition from late-20th-century Contemporary Christian Music (CCM) into modern congregational praise and worship. Emerging from a rich, multi-generational lineage of itinerant revivalists, Paris paired a classical, elegant pop-folk melodic sensibility with deeply reverent, Christocentric lyrics.

Her historic contribution was her unique ability to write songs that achieved massive commercial radio success while remaining so liturgically grounded and textually simple that they effortlessly crossed into the formal hymnals of mainline Protestant denominations across the globe.

A Revivalist Pedigree and the Jesus Movement

Twila Paris was born in Fort Worth, Texas, into a family deeply embedded in the American holiness and revivalist tradition. Her great-grandparents had been traveling evangelists in the 19th century, and her father, Oren Paris II, was a prominent minister who later founded the Ecclesia College in Arkansas. Growing up in an environment where music and theology were entirely unified, Twila began playing the piano at age seven and was actively performing in family ministry concerts throughout her childhood.

During the 1970s, as the Jesus People Movement swept across the United States, Christian music began rapidly adopting the instrumentation and melodic hooks of secular pop and rock music. Paris was uniquely positioned at this cultural intersection: she possessed a deep respect for the historic, structural hymns of Isaac Watts and Fanny Crosby, but also understood the raw, direct emotional communication of modern acoustic music. Settling in Arkansas, she signed her first major recording contract, releasing her debut commercial album, Knowin' You're Around, in 1981.

                    ┌──────────────────────────────────────┐
                    │      PARIS'S HYMNOLOGICAL TIMELINE   │
                    └──────────────────┬──────────────────┘
                                       │
         ┌─────────────────────────────┼─────────────────────────────┐
         ▼                             ▼                             ▼
  1981: THE COMMERCIAL DEBUT   1982–1985: CHORAL EXPLOSION     2015: GMA HALL OF FAME
 Released her first album;     "We Will Glorify" and "He Is   Inducted into the Hall of Fame
 pioneered the radio-to-pew    Exalted" transitioned her      after 33 No. 1 hits and 10
 crossover model.              from performer to hymnographer. Dove Awards.

The Commercial Peak and the Crossover Phenomenon

Throughout the 1980s and 1990s, Paris became a premier powerhouse of the CCM industry. Her career statistics are monumental: she achieved 33 number-one Christian radio hits, released over 20 albums, and was honored with 10 Gospel Music Association (GMA) Dove Awards, including being named Female Vocalist of the Year three times.

While many CCM artists of her era focused on performance-driven stadium pop, Paris used her commercial platform to subtly realign the church's focus back toward corporate singing. She pioneered a deliberate "radio-to-pew" pipeline. A song would initially premiere as a polished, highly produced radio single; however, its core melodic structure was kept so clean and its intervals so accessible that local church choir directors and pianists could immediately transcribe it for Sunday morning services. In recognition of this enduring, cross-generational impact, she was formally inducted into the GMA Gospel Music Hall of Fame in 2015.

Landmark Masterpieces and Core Texts

Paris’s original compositions are characterized by their soaring, triumphant vertical praise, their absolute lack of sentimental fluff, and their deep engagement with biblical imagery.

1. We Will Glorify

Released on her 1982 album Keepin' My Eyes on You, this song serves as a stunning, modern adaptation of the classic Protestant "metrical psalm." Written in a straightforward, driving 3/4 time signature, the text is an uncompromised, objective declaration of the absolute sovereignty, kingship, and triumph of the Triune God over creation. It spread with such velocity through local congregations that it was quickly integrated into formal hymnals worldwide, including the Southern Baptist Baptist Hymnal and the Presbyterian Trinity Hymnal.

Hymn Excerpt: The Sovereign Declaration

We will glorify the King of kings,

We will glorify the Lamb;

We will glorify the Lord of lords,

Who is the great I AM.

2. He Is Exalted

Published in 1985 on her album Kingdom Seekers, this song stands as an absolute cornerstone of the early Praise and Worship movement. Inspired directly by the praise psalms of David and the cosmic declarations of the Book of Revelation, the melody uses a beautifully ascending scale that physically forces the congregation to elevate their voices as they sing the word "exalted."

Hymn Excerpt: The Triumphant Reign

He is exalted, the King is exalted on high;

I will praise Him.

He is exalted, forever exalted,

And I will praise His name.

He is the Lord, forever His truth shall reign;

Heaven and earth rejoice in His holy name.

3. Lamb of God

First appearing on her 1985 project, this deeply introspective, melancholic ballad serves as a profound modern Agnus Dei (Lamb of God liturgy). Shifting away from triumphant celebration, the song enters the solemn territory of substitutionary atonement, detailing the sheer scandal of divine humility and the rescue of the broken sinner.

Hymn Excerpt: The Sacrificial Gift

Your only Son, no sin to hide,

But You have sent Him from Your side

To walk upon this guilty sod,

And to become the Lamb of God.

Summary of Major Corporate Anthems

Twila Paris continues her active writing and ministry work from her home in Arkansas alongside her husband, Jack Wright, and their family. Living through an era when church music often fractured along bitter "worship wars" styles, her historic significance lies in her role as a master bridge-builder. By wedding the accessibility of modern pop music to the timeless, dogmatic rigor of classic hymnography, her simple choruses succeeded in breaking through industry silo, giving the modern church a permanent, deeply scriptural script to sing its praise.