He Included Me

He Included Me is a joyful gospel hymn written by Johnson Oatman Jr., one of the most prolific American hymn writers of the late 19th and early 20th centuries. With music composed by James McGranahan, the hymn offers a strong declaration of personal assurance in God’s universal offer of salvation. Its central theme is rooted in the wonder that the grace of God, extended to "whosoever," includes the individual believer. For those who may struggle with feelings of unworthiness or fear of being left out, this hymn proclaims with glad confidence: “Jesus included me, yes, He included me.”

The hymn opens with the amazement of grace: “I am so happy in Christ today, that I go singing along my way.” It quickly establishes a tone of personal joy and thankfulness, celebrating that the singer is not only aware of the gospel call but also personally included in its reach. Johnson Oatman’s language is direct and heartfelt, emphasizing that the sweeping invitation of God’s mercy—though extended to all—is not impersonal. It is deeply individual. The repetition of the phrase “He included me” in the chorus reinforces that truth in a memorable and comforting way.

Drawing inspiration from passages such as John 3:16 and Romans 10:13, the hymn rests on the biblical teaching that salvation is open to everyone who believes. Oatman connects this general truth with personal faith, encouraging believers to take joy in their inclusion in the family of God. This idea—being chosen, welcomed, and embraced by Christ—is not reserved for a select few. Rather, it is extended to all, and the one who accepts it can say confidently, “When the Lord said ‘whosoever,’ He included me.”

The second and third stanzas build on this thought by expressing a growing sense of peace and praise. The joy of salvation is not just an emotional response but is grounded in the truth of Scripture. Oatman writes, “Gladly I read ‘whosoever may,’ come to the fountain of life today,” illustrating how the written Word brings clarity and confidence to the heart. In the final verse, the focus shifts slightly from personal experience to praise: “Freely come drink, words the soul to thrill!” It becomes an invitation for others to discover this same truth.

Musically, McGranahan’s composition carries the joyful and confident tone of the lyrics. The melody is bright, with a lively rhythm that encourages congregational participation. It is easy to sing and remember, which has contributed to its lasting popularity in gospel hymnals and revival meetings.

He Included Me continues to resonate with believers who treasure the message of assurance, inclusion, and the unfailing reach of God’s love. It reminds Christians that salvation is not an abstract or distant offer—it is personal, joyful, and meant for all who will receive it.