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Savior, Again to Thy Dear Name (Parting Hymn)

By John Ellerton (1866)

Lyrics

1. Savior, again to thy dear name we raise
with one accord our parting hymn of praise.
Once more we bless thee ere our worship cease,
then, lowly bending, wait thy word of peace.
2. Grant us thy peace upon our homeward way;
with thee began, with thee shall end the day.
Guard thou the lips from sin, the hearts from shame,
that in this house have called upon thy name.
3. Grant us thy peace, Lord, through the coming night;
turn thou for us its darkness into light.
From harm and danger keep thy children free,
for dark and light are both alike to thee.
4. Grant us thy peace throughout our earthly life,
our balm in sorrow and our stay in strife.
Then, when thy voice shall bid our conflict cease,
call us, O Lord, to thine eternal peace.
Start planning with this hymn

Psalm 29.11

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Hymn scripture: Psalm 29.11

About This Hymn

Author – John Ellerton, 1826–1893
Composer – Edward J. Hopkins, 1818–1901
Tune Name – Ellers
Meter – 10 10. 10 10.
Scripture Reference – Psalm 29:11
“The Lord will give strength unto His people; the Lord will bless His people with peace.”

For centuries, the Christian Church has cherished the tradition of closing worship services with a hymn. This custom traces back to the time of Christ, when, following the Last Supper, Scripture tells us, “And when they had sung a hymn, they went out…” (Mark 14:26). Among the many hymns written for this sacred purpose, few have achieved the lasting esteem and spiritual beauty of John Ellerton’s parting hymn, written in 1866 for a choral festival in Cheshire, England. Recognized as one of the finest of all closing hymns, it was later included in the influential Anglican hymnal Hymns Ancient and Modern in 1868, cementing its place in worship traditions across generations.

John Ellerton, born in London in 1826, came from a devout evangelical background. After graduating from Cambridge University, he aligned himself with the more liberal or broad-church wing of the Anglican communion. Deeply engaged with the pressing social issues of his time, Ellerton emerged as a prominent voice among Anglican liberals, alongside figures such as Bishop William Walsham How. Despite these theological leanings, Ellerton maintained strong, respectful ties with the evangelical community, and was known for his ability to appreciate and value differing perspectives within the Church. Though his entire ministerial career was spent in modest parishes across England, his cultural depth, scholarly distinction, and personal character earned him widespread respect. He was revered by his congregants and peers alike, and considered an authority on hymnology during his lifetime. The renowned theologian Matthew Arnold once called him “the greatest of the living hymn writers.” Ellerton authored approximately eighty-four hymns, including ten translations from Latin. Reflecting his humility and devotion, he chose not to copyright any of his work, believing that if his hymns were found worthy to be sung in praise of Christ, he should only feel gratitude and humility.

The tune Ellers was composed in 1869 by Edward John Hopkins, one of England’s most accomplished church musicians. Born in London on June 30, 1818, Hopkins was well-regarded for his skill as both an organist and a composer. His musical setting for Ellerton’s text was originally arranged for unison singing, with a unique accompaniment for each stanza. The tune is noted for its masterful melodic structure—beginning with a gentle ascent to a peak at the midpoint, then descending softly to a peaceful conclusion. This melodic symmetry reinforces the hymn’s role as a benediction—offering both spiritual strength and a calm sense of closure at the end of worship. Together, Ellerton’s deeply reverent text and Hopkins’s refined musical composition have given the Church a parting hymn of enduring grace and beauty

From the Dictionary of Hymnology

Related terms and concepts automatically matched to this hymn.

God of the living, in Whose eyes Hymn

John Ellerton’s burial hymn, written for Hymns for Schools and Bible Classes (Brighton, 1858) and expanded in 1867 to five six-line stanzas. The longer form is the one usually adopted.

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Day by day we magnify Thee Hymn

John Ellerton children’s praise hymn written for daily opening of a National School in Brighton; published 1858 and later in Church Hymns and other collections.

Read more

Lift the strain of high thanksgiving Hymn

J. Ellerton hymn for the 1869 reopening of St. Helen's, Tarporley; published in S.P.C.K. Church Hymns (1871). Combined with "In the Name which earth and heaven" for Chester Cathedral nave reopening (1872).

Read more
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