All Praise to Thee, for Thou, O King Divine

“All Praise to Thee, for Thou, O King Divine” is a modern hymn text written by Bland Tucker in 1982 for use during Holy Week, particularly on Maundy Thursday. The hymn reflects deeply on the humility of Christ, drawing from Philippians 2:5-11 and the account of Jesus washing the disciples’ feet in John 13:1-17. It centers on the self-giving love of Christ, who, though King and Lord of all, chose the path of servanthood and obedience even unto death.

The opening stanza establishes a tone of reverent praise, acknowledging Christ’s divine majesty while immediately contrasting it with His humility. The hymn carefully traces the movement from heavenly glory to earthly suffering. Each stanza unfolds a theological meditation on the incarnation, the servant ministry of Christ, and His sacrificial death. The language is dignified and scriptural, emphasizing that Christ’s obedience was voluntary and redemptive.

A notable feature of the hymn is its moral application. After recounting Christ’s humility, the text calls believers to follow His example. Just as He stooped to serve and gave Himself for others, Christians are urged to embrace sacrificial love and humble service. This makes the hymn especially fitting for services that focus on discipleship and the call to love one another.

The tune ENGELBERG, composed by Charles Villiers Stanford, provides a noble and expansive musical setting. Its steady rhythm and strong melodic line support congregational singing while reinforcing the hymn’s themes of majesty and reverence. The pairing of this stately tune with Tucker’s reflective text creates a powerful balance between praise and contemplation.

“All Praise to Thee, for Thou, O King Divine” has become widely used in Anglican and other liturgical traditions. It stands as a thoughtful expression of Christ’s humility and kingship, guiding worshipers to adore the Savior who reigns through sacrificial love and who calls His people to walk in the same spirit of obedient service.