What Rich Eternal Bursts Of Praise

George West Frazer (1830–1896) was an American hymn writer and music educator active during the 19th-century "Gospel Song" movement. While biographical details of his early life are relatively sparse in the historical record, he became a notable contributor to the vibrant Sunday School music culture that flourished in the United States following the Civil War. His work primarily appeared in the popular musical anthologies of the late 1800s, which were used extensively by evangelical denominations for revival meetings and youth education.

Frazer is perhaps best remembered for his collaboration with prominent composers and music publishers of his day, such as William Kirkpatrick and John R. Sweney. His lyrical style was characteristic of the era—simple, rhythmic, and deeply focused on personal devotion and the promise of salvation. Among his most recognized contributions is the hymn "The Half Has Never Been Told," for which he provided the lyrics and Robert Lowry provided the music. The hymn, which reflects on the overwhelming beauty of the Christian experience and the glory of heaven, became a staple in many gospel songbooks.

In addition to his literary output, Frazer was involved in the pedagogical side of church music. Like many of his contemporaries, he likely engaged in "Singing Schools," which were essential for teaching rural and urban congregations how to read music and sing in harmony. His hymns often focused on themes of spiritual guidance and the sufficiency of Christ, as seen in works like "Jesus is All I Need" and "He Will Hide Me."

By the time of his death in 1896, Frazer had left a modest but enduring mark on American hymnody. His songs were characterized by an accessible piety that resonated with the common worshiper, ensuring that his verses continued to be printed in hymnals well into the 20th century. He remains a representative figure of the era’s "Sweet Singers," whose primary goal was to provide the church with emotional and memorable songs for congregational worship.