Lete All the World in Every Corner Sing

George Herbert (1593–1633) stands as one of the most profound and influential figures in English literature and Anglican spirituality. A contemporary of John Donne, he is a primary representative of the "Metaphysical Poets." Born into an aristocratic family at Montgomery Castle, Wales, and educated at Trinity College, Cambridge, Herbert initially pursued a career in the high circles of the royal court, serving as the University Orator and enjoying the favor of King James I.

From Courtier to Country Parson

Herbert's early life was marked by worldly ambition and proximity to the most powerful men of his age, including Lord Bacon and Bishop Andrewes. However, the deaths of his patrons and the King effectively closed his path to civil preferment. This period of personal loss became a spiritual turning point. In 1630, he was ordained and became the rector of the small rural parish of Bemerton, near Salisbury.

His brief three-year ministry at Bemerton was so devoted and holy that he became the model for the "country parson." He spent his days rebuilding the church out of his own pocket and ministering to his parishioners with such humility that he was often seen helping laborers in the fields or playing his lute in private devotion.

The Temple and Literary Legacy

Herbert's most enduring legacy is his collection of poems, The Temple. On his deathbed, he sent the manuscript to his friend Nicholas Ferrar of Little Gidding, describing the poems as "a picture of the many spiritual conflicts that have passed betwixt God and my soul." He instructed Ferrar to publish the book only if he thought it could "turn to the advantage of any dejected poor soul."

The Temple is celebrated for its:

• Structural Ingenuity: Herbert used "shape poems" (like "The Altar" and "Easter Wings") where the lines on the page physically resemble the subject of the poem.

• Intimate Tone: His work explores the "inner weather" of the soul—the vacillation between faith and doubt, rebellion and submission.

• Metaphysical Wit: He used complex metaphors and everyday imagery (like a pulley or a telescope) to explain profound theological truths.

Influence on Hymnody

Though Herbert wrote for private meditation rather than public singing, his lyrics have a natural musicality that eventually found its way into the pews. John and Charles Wesley were early admirers, adapting over 40 of his poems into hymns for the Methodists. However, it wasn't until the mid-19th century that his original verse became widely accepted in congregational worship.

His most famous hymns include:

• "Let all the world in every corner sing": A jubilant anthem of universal praise.

• "Teach me, my God and King": Taken from "The Elixir," it emphasizes sanctifying everyday work.

• "King of Glory, King of Peace": A song of personal gratitude and surrender.

George Herbert died of consumption (tuberculosis) at the age of 39. His life, famously chronicled by Izaak Walton, and his poetry remain essential for anyone seeking to understand the marriage of artistic excellence and sincere Christian devotion. He proved that "A servant with this clause / Makes drudgery divine," a sentiment that continues to resonate through his verses today.