Of the Father's Heart Begotten
By J. M. Neale
Lyrics
Ere the worlds began to be,
He is Alpha and Omega,
He the source, the ending He,
Of the things that are, that have been,
And that future years shall see,
Evermore and evermore.
He commanded, it was done:
Heav’n and earth and depths of ocean,
In their threefold order one;
All that grows beneath the shining
Of the moon and burning sun—
[Evermore and evermore.]
Death and sorrow here to know,
That the race of Adam’s children,
Doomed by law to endless woe,
May not henceforth die and perish
In the dreadful gulf below—
[Evermore and evermore.]
When the virgin, full of grace,
By the Holy Ghost conceiving,
Bore the Savior of our race,
And the babe, the world’s Redeemer,
First revealed his sacred face—
[Evermore and evermore.]
Chanted of with one accord,
Whom the voices of the prophets
Promised in their faithful word;
Now he shines, the long-expected;
Let creation praise its Lord—
[Evermore and evermore.]
Angel hosts his praises sing!
All dominions bow before him
And exalt our God and King.
Let no tongue on Earth be silent,
Every voice in concert ring—
[Evermore and evermore.]
And O Holy Ghost, to thee,
Hymn and chant and high thanksgiving
And unwearied praises be,
Honor, glory, and dominion,
And eternal victory—
[Evermore and evermore.]
Bible Reference
John 1:1-3
About This Hymn
“Of the Father’s Heart Begotten” is a timeless Christmas hymn whose origins trace back to a 4th-century Latin poem, Corde natus ex parentis, written by the Roman Christian poet Aurelius Prudentius Clemens. The English translation was crafted by John Mason Neale in 1861, who was renowned for translating many ancient Latin hymns into English. Neale’s translation retains the theological depth and poetic structure of the original, celebrating Christ’s eternal generation from the Father and His incarnation as a human child.
The hymn’s text emphasizes the eternal nature of Christ, highlighting that He is begotten of the Father before all worlds, yet became flesh for the salvation of humanity. It combines doctrinal richness with devotional warmth, presenting the mystery of the incarnation while inviting worshipers to join in praise. Its language is both majestic and contemplative, reflecting the medieval Latin hymn’s solemnity while making it accessible to English-speaking congregations.
Musically, the hymn is most commonly set to the plainsong melody Divinum Mysterium, which complements the reflective and reverent nature of the text. Over the centuries, it has become a staple in Advent and Christmas services, appreciated for its theological profundity and meditative quality. The hymn remains a cherished part of Christian worship, bridging early Christian poetic tradition with modern congregational devotion.
From the Dictionary of Hymnology
Related terms and concepts automatically matched to this hymn.
A day, a day of glory Hymn
John Mason Neale's joyful 1860 Christmas carol, written expressly for Edmund Sedding's Antient Christmas Carols and later featured in the People's Hymnal.
Read moreAdesto sancta Trinitas History
Historical entry for the anonymous medieval hymn "Adesto sancta Trinitas," examining its manuscript sources, breviary uses, and English translations.
Read moreAdes Pater supreme History
Historical and liturgical entry for Prudentius's 5th-century evening hymn "Ades Pater supreme," detailing its structure, centos, and English translations.
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Hymns with the same subject
More hymns about Battle, Creation, God the Father, Holy Spirit, Jesus Christ, Praise, Redeemer, Worship
- Of the Father's Love Begotten — J. M. Neale
- How Great Thou Art — Carl Boberg
- O Worship the King — Robert Grant
- Ten Thousand Years — Elmer Cole
- Fairest Lord Jesus — Friedrich von Spee
- Beautiful Savior — Joseph Augustus Seiss
- O Worship the King all glorious above — Robert Grant
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