Glory to His Name

“Glory to His Name” is one of the most enduring gospel hymns of the 19th century, composed by Elisha A. Hoffman, a prolific American hymn writer and pastor. Written in 1878, this hymn joyfully celebrates the redemptive work of Christ at Calvary and the personal transformation that results from trusting in His atoning blood. The repeated refrain, “Glory to His name,” functions both as a declaration of praise and a call for every believer to reflect on the deep gratitude owed to the Savior who died for sinners.

The opening line, “Down at the cross where my Savior died,” immediately places the singer at the foot of the cross, where the burden of sin was lifted. The hymn’s theology is centered on substitutionary atonement, highlighting the cleansing power of Jesus’ blood—a theme echoing Hebrews 9:22, which reminds us that “without shedding of blood is no remission.” Hoffman’s language is simple, direct, and joyful, making this hymn accessible for congregational singing and deeply moving for personal devotion.

The second stanza moves from the historical act of the cross to its personal application: “I am so wondrously saved from sin, Jesus so sweetly abides within.” Here, Hoffman draws attention to the indwelling presence of Christ, a truth found in Galatians 2:20, where Paul testifies that Christ lives in him. The hymn makes it clear that salvation is not only a past event but an ongoing relationship, marked by joy, peace, and spiritual nearness.

The third stanza calls others to come to the same saving fountain: “O precious fountain that saves from sin, I am so glad I have entered in.” This inclusive invitation is in line with the Great Commission and the universal scope of the gospel. The final stanza is a heartfelt plea for sinners to come without delay, to “plunge in today, and be made complete.” It emphasizes urgency and assurance—urgent because life is short, and assurance because the blood of Jesus completely cleanses.

“Glory to His Name” was often sung during revival meetings and evangelistic services, where its lively melody and clear gospel message stirred hearts. The tune, composed by John H. Stockton, perfectly matches Hoffman’s exuberant lyrics and helps lift the soul in praise. Together, the words and music invite everyone to rejoice in the finished work of Christ and to glorify His name for the marvelous salvation He provides.

This hymn remains a staple in many hymnals and continues to be beloved by Christians worldwide. It directs the heart to the cross, reminds us of the personal nature of redemption, and encourages the ongoing worship of the One who alone is worthy of all glory.